Making a Custom Wood Guitar Knob

Last month, a pages on Making a Knob, Wood vs Plastic Knobs and Knob Images & Videos were added.

Making a Knob show with images and step-by-step instructions how to make a wood knob on a wood lathe with a pen-making attachment.

Wood vs Plastic Knobs discusses the pros and cons of wood versus plastic knobs, differences in appearance, construction, uniformity, uniqueness, mounting, flash, grip and finish.

The Knob Images & Videos page contains a list of single-wood, layered-wood and plastic knobs, with images ordered by wood and serial number.  It has links to videos for Single-Wood Knobs, Layered Wood Knobs and Plastic Knobs.

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22 New Custom Wood Guitar Knobs Added to List

Twenty-two new images of custom wood guitar knobs have been added to the list page, including Chakte Viga, Dalmata, Granadillo, and Movingui woods.  Three of those have been decorated with colored and metallic threads, and pointers of either sky blue acrylic paint or inlayed glass beads.  For the single-wood knobs, the captions have been edited to include knob diameter and height in inches.  Diameter is close to the largest diameter, measured across the widest part.

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XML sitemap now available for search engines

http://android-originals.com/tulsasound/sitemap.xml  has been added to this site and is now available for search engines.

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Blacklisted users

A number of new users have registered who make no comments, have no background information, and show up on at least one spam blacklist.  Typically the username comes from a real user on social media, with an e-mail address that has no relation to the username.  Due to an abundance of caution to avoid letting spammers use this site, all such users will be deleted.  Spam address lists, such as http://www.stopforumspam.com and http://cleantalk.org, will be used to check new users.  If you are a legitimate subscriber, please register with information that can be confirmed as coming from a real user.

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Contact Information Now Available

November 23, 2014 – Tulsa Sound Guitars ™ (TSG) has posted contact information on the Contact Page, with an open invitation to Tulsa professional guitarists to play prototype guitars and be interviewed doing so and making comments upon them.  Viewers are welcome to register and post comments on the videos as they become available.

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Audio Excerpts from Paul Humphrey Interview, Part 5

Here is a quick and dirty audio-only file of instrumental excerpts from Part 5 of the Paul Humphrey interview

It shows some of the range of the 4th Prototype, as played by jazz guitarist Paul Humphrey, and is divided into four parts with short silences in between, for a total of 3 minutes.

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New pages on News, Paul Humphrey interviews and 4th prototype guitar

The site is slowly getting better.  Have a look at the slightly expanded News page, the recently uploaded Paul Humphrey interviews, and the 1st Look at the 4th Prototype electric-acoustic guitar.

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Pickguard Decal for Charlie Redd’s Epiphone

Back in April-May 2014, I had fixed an electronically-defunct Yamaha guitar for Tulsa guitarist and singer Charlie Redd, and added some decals to it.  After pulling things loose on it and tracing the wires, it turned out to be the very last thing I checked, two wires broken off the output jack.  It gave him enough confidence in me to let me restore the pickguard artwork on his Epiphone guitar.  As near as I can tell from the photos of the label inside, it’s a Model EJ-2000BE.

At first, he wanted to scrap the pickguard and put something on a new one;  the original artwork had mostly worn off.  But what was left was so nice, that I convinced him to let me see what I could do with it.  Here’s what I started with, and what I came up with, which I applied in early June 2014:

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The left image below shows what I designed in PhotoShop, and the right shows how it came out using a Quik Print vinyl decal.  It lost some snap and resolution in the printing (they always do), but it was inexpensive and reasonably durable.  Quik Print uses an HP flat bed printer that must have a resolution of about 300 dpi.  The decal is covered with a thick clear vinyl overlaminate about 0.005 inch.  Since the decal adhesive is considered permanent, I applied it only to the plastic pickguard, which can itself be removed and replaced, though not easily I think.

OLYMPUS DIGITAL CAMERA  vine&flower decal scanned detail-500

But Charlie likes it.  The last time I checked, about two months later, he said it had not worn or peeled yet.

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© 2014 android originals LC – all rights reserved

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Why “Tulsa Sound Guitars”?

Tulsa Sound Guitars is run by android-originals.com, currently based in Tulsa Oklahoma since 2003, as an experimental site to post information on guitar art, decorations, accessories and prototypes.  The use of the term “Tulsa Sound” is provisional and cannot be truly earned until a sufficient number of Tulsa, Oklahoma musicians can evaluate, use and publicly comment upon android originals prototype guitars.  So far, only a few Tulsa guitarists have seen and played a few prototypes, and the comments have been favorable.

I’m not really a musician, having only played clarinet one year and drums the next in Junior High band.  But during my last stint in grad school, I kept having these dreams where I played killer guitar.  Yeah, right – dreams.  But after my last job as a scientist (who used to be an electronics engineer), I went on disability and bought my first guitar in March or April of 2005 to help pull myself out of the blues.  It was a blue Fender Squier.

As far as playing went, my skinny arms lacked the strength to press the strings down for chords.  And my fingers have gotten too clumsy and sensitive to stand the pain of if, even if I could.  To this day, I still lay it down on my lap and use my left thumb on the frets.

I have other talents.  First thing, I shot pictures of the Bullet and made up a PhotoShop template to put my artwork behind.  See http://www.theandroidsaxe.com, an older web site.  Second, I started modifying the body to make it lighter and easier to play on my lap.  Third, I routed out the area under the pickguard to add extra pickups, and an electronic breadboard, designing my own preamp and distortion circuit around a nine-volt battery and a couple of dual op-amp chips.

Then I started making skeleton guitars.  The first sounded good, but broke apart under string pressure because it was made of poplar.  The neck and pickups came from a used Austin strat.  The second, made of red oak, survives and plays well.  The third turned out so ugly, no one will see it.  The fourth has been covered by a Provisional Patent Application.  Hopefully by this time next year, it can be made public along with reviews by a number of accomplished Tulsa musicians.

Stay tuned.

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