Knobs 19 & 20 Recut – Maple with Purpleheart & Cherry Centers

Knobs 19 & 20 Recut

Knobs 19 & 20 Recut

Knobs 19 & 20 were originally cut as simple cylinders, to show any iridescence in the woods.  Both are made of two layers of 3/8” thick horizontal grain Maple with ¼” of  another horizontal grain wood sandwiched in between, to make a 1×1” knob blank, ¾” tall.  Knob 19 has a Purpleheart center, and knob 20 has Cherry.  Purpleheart has very little real color (dark purple, fading to brown) and iridescence, but the Cherry has a surprisingly complex grain (for such a bland unfinished appearance) that is iridescent when polished.  Maple also has strong iridescence.  Both knobs have a superglue (SG) base coat, with layers of SG and a final finish of Kiwi neutral shoe polish.

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Knobs 270, 271 & 272 – Yellowheart w/ Bloodwood Pointer

Knobs 270, 271 & 272

Knobs 270, 271 & 272

Knobs 270, 271 & 272 are the next 3 of 8 knobs made from a ¾” by 4” board of Yellowheart, glued to a ¼” by 1.5 “ stick of Bloodwood, and split in half along the 4″ direction.  Those two pieces were cut into four each, making 8 knob blanks of about 1 x 1”, ¾” high, with the Yellowheart grain vertical and the Bloodwood grain horizontal, as can be seen in the picture above.  The bloodwood provides a kind of rotation pointer.  Each knob has a superglue (SG) base coat, followed by layered and polished SG, with a final finish of Kiwi neutral shoe polish.  This give the Yellowheart iridescence on the sides, but not the top, and the bloodwood iridescence on the top and from a particular angle on the side.

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Knobs 267, 268 & 269 – Yellowheart w/ Bloodwood Pointer

Knobs 267, 268, 269

Knobs 267, 268, 269

Knobs 267, 268 & 269 are 3 of 8 knobs made from a ¾” by 4” board of Yellowheart, and a ¼” by 1.5 “ stick of Bloodwood.  A 3/4 x 1.5 x 4” piece of Yellowheart was glued to a ¼ x 1.5 x 4” piece of Bloodwood, with the grains of each piece crossing the other at 90 degrees.  The Bloodwood warps in contact with water-base yellow wood glue, so four C-clamps had to be used to flatten it agains the Yellowheart.

This made up a laminated piece of wood 1 x 1.5 x 4”, which was cut, dividing the 1.5” dimension in half, making two pieces 1 x ¾ x 4”.  Those two pieces were cut into four each, making 8 knob blanks of about 1 x 1”, ¾” high, with the Yellowheart grain vertical and the Bloodwood grain horizontal, as can be seen in the picture above.  The bloodwood provides a kind of rotation pointer.  Each knob has a base coat of Superglue (SG), layers of SG, and a final finis of Kiwi neutral shoe polish.

This gives the Yellowheart iridescence on the sides, but not the top, and the bloodwood iridescence on the top and from a particular angle on the side.  Knob 269 in the bottom right of the image above was not turned to the precise angle to show it.  Knob 267 in the  upper left shows the non-iridescent deep red end grain of the Bloodwood.

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Knobs 264, 265 & 266 – Unknown white wood, painted

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Knobs 264, 265 & 266

Knobs 264, 265 & 266 are made from a whitish, semi-hard wood taken from a bed or crib rail, which knob 264 shows through clear superglue (SG) and shoe polish basecoat and finish.  Knobs 265 & 266 have a SG base coat with layered acrylic paint and SG.  The acrylic colors include white, metallic pearl white, primary blue, light green, deep green and metallic inca gold.  Some clear acrylic float medium may also have been used to thin the colors.

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Knobs 261, 262 & 263 – Angelique w/ Bloodwood & Yellowheart

Knobs 262 & 262

Knobs 262 & 262

Knobs 261 & 262 are vertical grain Angelique with horizontal grain Bloodwood caps.  The Angelique has iridescence on the sides, and the Bloodwood across the top, except where the end grain shows.  The Bloodwood iridescence shows in real life, not as the red orange the digital camera sees here, but as a jewel-like, deep ruby glow that seems to come from deeper within the wood than lighter-colored woods.  All the knobs, 262, 262 & 263 have at least one superglue base coat, and finish coats of neutral shoe polish, after a high polish with abrasive cloth.

Knob 263

Knob 263

Knob 263 is vertical grain Angelique with a side section of horizontal grain Yellowheart.  Since the end grain of the Yellowheart points to the side, most of the iridescence shows on the top, with some on the margins of the side.

This experiment precedes a number of knobs where contrasting ¼” horizontal grain wood glued to ¾” vertical grain wood forms a kind of rotation pointer.  Some future knobs will have ¼” Bloodwood glued to ¾” Yellowheart, and ¼” Bubinga (African Rosewood) glued to ¾” Brazilian Cherry.  Stay tuned.

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Knobs 259 & 260 – Red Oak, w/ Yellowheart, Angelique

Knobs 259 & 260

Knobs 259 & 260

Knobs 259 & 260 are vertical grain Red Oak from a 1.5 x ¾ inch board, with some scraps of other wood glued on.  Knob 259 has a scrap of vertical grain Yellowheart glued to the top.  Oak has dense hard grain layered with porous grain, which is much softer.  This often causes drills to wander when drilling holes.  This caused the pot hole in 260 to drill too close to two sides of the blank, so two scraps of Angelique (the darker wood) were glued on those sides.  Both knobs have a SG base coat.  Knob 259 has black and metallic antique copper paint rubbed into grain crevices.  Both are finished with several coats of SG, then two coats of neutral shoe polish.  As with all vertical grain wood knobs, iridescence can be see only from the sides.  Although less dramatic than woods like Lati or Marblewood, Red Oak still has a complex and pleasing grain that might be even more visible with a stain that could penetrate deeply into the porous layers.

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Knobs 257 & 258 – Walnut

Knobs 257 & 258

Knobs 257 & 258

Knobs 257 & 258 are made from a small vertical grain 1.5 x ¾ inch walnut board, with some white wood showing, possibly heartwood.  They have a SG base coat, metallic acrylic paint in the grooves, SG overcoats, and a neutral shoe polish finish.  For some reason, this tube of Permatex Super Glue had a tendency to produce persistent white spots, which can be seen below the gold ring on knob 258.  As with all vertical grain wood knobs, iridescence can be seen only from the sides.

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Knobs 254, 255 & 256 – Rake Handle Wood

Knobs 254, 255 & 256

Knobs 254, 255 & 256

These knobs come from an unknown medium hard Brazilian wood found in a Home Depot 60” rake handle (Item 2700100, UPC 049206270015).  All have vertical grain, and a superglue (SG) base coat.  Knobs 252 (Inca Gold) and 253 (Antique Copper & White Pearl) have metallic acrylic paint in the grooves and some grain crevices.  All are finished with SG and neutral shoe polish.  The iridescence shows only from the sides.

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Knobs 251, 252 & 253 – Yellowheart over Red Oak

Knobs 251, 252 & 253

Knobs 251, 252 & 253

These knobs are all ¼” Yellowheart glued over ½” Red Oak.  Both grains are horizontal and at 90 degrees with respect to each other.  So the knobs have a flash of iridescence from side grain of one or the other layer every 90 degrees.  All three have a SG base, several layers of SG with some acrylic paint, and a Kiwi neutral shoe polish finish.

The slot in 252 and the white wood in 253 come from 1/8” bamboo skewers the were put in the corners of the two 3×3” plates of Yellowheart & Red Oak to hold them in place while the glue set.  251 has metallic Antique Copper acrylic paint in the grooves and grain crevices, 252 has metallic Inca Gold, and 253 has metallic Silver.

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Knobs 248, 249 & 250 – Yellowheart & Red Oak

Knobs 248, 249 & 250

Knobs 248, 249 & 250

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These knobs are all ¼” Yellowheart glued over ½” Red Oak.  Both grains are horizontal and at 90 degrees with respect to each other.  So the knobs have a flash of iridescence from side grain of one or the other layer every 90 degrees.  The iridescence of the Yellowheart show in the bottom image, but the iridescence of Red Oak in the top image is less evident.  All three knobs have some metallic Inca Gold paint applied to cut grooves and crevices in the grain.  Knob 248 has some metallic Antique Copper applied to the Red Oak.  All the knobs are finished with polished SG and Kiwi neutral shoe polish.

As in earlier knobs, the end of an 1/8” bamboo dowel shows in the top center of knob 249.  In this case, the bamboo dowel ended up off center, so this method was not used in the other two knobs.

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